At The Never

An immersive audiovisual work in progress — An imagined world where civilisation waits at the edge of its own ending

and keeps dancing ignoring the collapsing yet glittering end of things // 3D handmade animation, prose fiction and original music.

All Artwork Made In 3D Software — No AI Used
Click to Play, Pause and Expand with Audio
Selected Teaser
Click to Play, Pause and Expand with Audio
Screen Recording of Digital Mockup Environment
for Exhibition Scenarios
Concept Condensed

At The Never is an immersive audiovisual work rooted in an original prose fiction by O Future — In The Land, Never — In A Place Called Die. The work asks: what does this place look like? What does it sound like? What does it feel like to live there, waiting, at the edge of something that never quite arrives?

Drawing on handmade 3D animation and original composition, At The Never deploys the language of disco and progressive pop as structural irony — a dreamy horror portrait of an imagined civilisation somewhere in space. Suspended in permanent deferral and unsaid dread, they are forever young, forever consuming — unable to look directly at the unthinkable end of things. The work does not seek to resolve this. It inhabits it like clothing — shifting, stretching, changing shape depending on who is wearing it and where.

Download Full Pitch / Full Expanded Textual Concept →

At The Never exists as a navigable live 3D environment — have a digital walk through of mockups of how we imagine presenting the final work within exhibition space.

Enter The 3D Environment →
Animation Tests Of Various Peoples Of Never
Original Prose of At The Never
In The Land, Never — In A Place Called Die

Slippery, little drops of something shivers over many various horizons, contracting and collapsing pointing to a land. Hidden behind galaxy, called 'Never' by everyone who lives there. The Never people, who don't do much but wait and sometimes have sex. Albeit really aesthetically and with a Confucian sense of the always.

Lately there has been a much talked about new place to go to. A place called 'Die', just on the other side of the 'Never'. Everyone has heard the math is different here somehow. There's wind! That ruffles the hair and something described as 'finality,' Whatever that is?!

They all murmur half ashamed. Nothing's final if never never comes.
Everyone is moving to Die they say. All the fashion outlets have run out of the best clothes and hair spray. It's the only place left to see and to be seen.
Others will stay behind and look through telescopes and receive telegrams through crystal balls, and study all the melting pearl and disco this Die place seems to have.

Maybe envious maybe scared, no one knows for sure. One in three decide to slope and groan around the underside of the Never. It becomes crowded, 5 persons for every million miles.

Oh the luxury of finally letting it collapse, no more containers left in the fridge!
No more laws of physics, just the soft and the howl of space. They melt melt melt holding on blankly into the liquid.

But the ones left are looking, their eyes sweaty on the viewfinders. 'Not for me!' they say under their breaths, too real! But somehow not really real. It's hard to explain unless you've been there. But people who have been there haven't been back. As of yet. Hope Springs Eternal. Everyone has the t-shirt. So kind of hard to say.

Everyone in the Never put their telescopes away as looking became difficult, better to eat their thick milk. While the radio plays something familiar somehow, again and again.

New I
New II
People of Never I
New III
New IV
New V
People of Never II
New VI
New VII
New VIII
People of Never III
New IX
Still I
Still II
People of Never IV
Still III
Still IV
Still V
People of Never V
Still VI
People of Never VI
Artist Statement

O Future's practice operates at the intersection of the concrete and the esoteric, between the past and the unfurling uncertain future, the handmade and the computational, the deeply analogue and the thoroughly networked. We are interested in what the internet has done to interiority — how the acceleration of image culture, the flattening of temporal experience, and the dissolution of collective meaning have produced a new kind of subject: always connected, perpetually stimulated, and profoundly alone with the oldest questions.

Our ongoing work moves between audio/visual installation, film score, live performance, and publication — always with the same underlying preoccupation: what does it mean to make something, to insist on making something, in a moment that has made meaning newly uncertain? Our answers, we posit, seem to hide in the sweaty human animal playing in the dark against the blue light that breaks our sleep. Always yearning, and never found.

Visual Artist & Direction
Katherine Mills Rymer
3D Animation · Post-Production
Writing & Voice
Composer & Sound
Jens Bjørnkjær
Original Score & Music
Collective
O Future
Copenhagen, Denmark
ofuture.org